Sounding relationalities: Towards post-humanist sonic arts<\/strong><\/strong> Decentered Listening: Collaboration with the More-Than-Human<\/strong> Ways of Listening<\/strong> The Sound of the Radical Other<\/strong> The Posthuman Attitude in Sonic Arts<\/strong> Sounding the Posthuman Attitude – a historico-aesthetical analysis of onto-epistemological perspectives in contemporary sonic arts<\/strong> Sound Recordings in Nature-Culture Hybrids<\/strong> Non-Listening. Affect, Hearing and the Sonic Everyday<\/strong> Sound as More-Than-Human Relation<\/strong> Sonic Encounters with Birds, Spiders and Bacteria<\/strong> On Sound, Ecology and Representation <\/strong><\/strong> Sounding Monstrosities<\/strong> Synthesized Biology<\/strong> We Have Always been Posthuman<\/strong> (panel chair) Practicing Theory in Sound Art Practice<\/strong> Sound as Art as Research<\/strong> Sound in Artistic Research <\/strong> Thinking with\/through\/beyond sound<\/a><\/strong> Vibrant Ecologies. More-than-human tactics for sound and listening<\/a><\/strong> On Sound: Unsound<\/strong><\/a> Artistic Research: Theories, Methods, Practices<\/a><\/strong> The World is Worlding, but who Listens?<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller Musical Analysis: Electronica<\/strong><\/a> Neuroesthetics in Theory and Praxis<\/a><\/strong> with Prof. Dr. Semir Zeki Sounding the Posthuman<\/a><\/strong> At the Limits of Perception and Cognition #6<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller Noise: Aesthetics and Politics<\/a><\/strong> At the Limits of Perception and Cognition #5<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller At the Limits of Perception and Cognition #4<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller Sound Beyond Sound<\/a><\/strong> At the Limits of Perception and Cognition #3<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller At the Limits of Perception and Cognition #2<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller Sounding out Time<\/a><\/strong> At the Limits of Perception and Cognition #1<\/a><\/strong> with Diana \u00d8. T\u00f8rsl\u00f8v M\u00f8ller Sound: Urbanity and Technology<\/a><\/strong> Recording, Capturing, Echoing in\/with\/a*part from\/of the Expanded Field(s), or How I Learned to Love the Sonic Boom<\/strong> Conference talks Sounding relationalities: Towards post-humanist sonic artsGfM 2020\/21 \u2014 Musikwissenschaft nach BeethovenXVII. Internationaler Kongress der Gesellschaft f\u00fcr Musikforschung, University of Bonn. September 28, 2021. Decentered Listening: Collaboration with the More-Than-Humanwith Alex De Little + members of Listening-With.Auraldiversities: Future Listening…<\/p>\nRead More<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/pages\/12"}],"collection":[{"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":33,"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":395,"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/395"}],"wp:attachment":[{"href":"http:\/\/jacoberiksen.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
GfM 2020\/21 \u2014 Musikwissenschaft nach Beethoven
XVII. Internationaler Kongress der Gesellschaft f\u00fcr Musikforschung<\/a>, University of Bonn. September 28, 2021.<\/p>\n\n\n\n
with Alex De Little + members of Listening-With.
Auraldiversities: Future Listening (Session 5)<\/a>, Goldsmiths, University of Arts London. May 13 2021.<\/p>\n\n\n\n
with Alex De Little + members of Listening-With
Vibrant Practices: Material Agency and Performative Ontologies<\/a>, University of Leeds. April 16, 2021.<\/p>\n\n\n\n
(((Acoustic Intelligence 2020)))<\/a>, Heinrich-Heine-Universit\u00e4t, D\u00fcsseldorf, Germany. February 1, 2020.<\/p>\n\n\n\n
Art in the Anthropocene<\/a>, International Conference in Trinity College Dublin, Ireland. June 8, 2019.<\/p>\n\n\n\n
Sonic Research in Academia and the Arts<\/a>, PhD Conference, Sound Studies and Sonic Arts, Berlin University of the Arts, Germany. June 1, 2019.<\/p>\n\n\n\n
Sound as Popular Culture<\/a>, Sound & Senses and the Sound Studies Lab, <\/em>University of Copenhagen, Denmark. October 6, 2016.<\/p>\n\n\n\n
Sounding Out the Anthropocene<\/a>, Critical Media Lab Basel, Academy of Art and Design FHNW, Switzerland. March 11, 2016.<\/p>\n\n\n\nLectures<\/h3>\n\n\n\n
Unthinking \/ Unlearning \u2014 New sonic theories and praxis<\/a>
HSE Art and Design School, Moscow. June 1 2021.<\/p>\n\n\n\n
Sounding the post\/non-human: sound theories and practices in the anthropocene era<\/a>, Biblioteka Inostrannoy Literatury<\/a>, Moscow. June 20, 2020.<\/p>\n\n\n\nPanels<\/h3>\n\n\n\n
with Jacob Kirkegaard, Budhaditya Chattopadhyay and Nanna Lund
((o))Gong Tomorrow<\/a>, RMC, Copenhagen (DK), November 11 2022<\/p>\n\n\n\n
<\/strong>Monstercall Research Camp<\/a>
Cashmere Radio, Berlin (DE), July 23 2022<\/p>\n\n\n\n
Reduction or Reform- Conflict and Opportunity for a modern Society, DeLight Festival, Berlin. March 25, 2017.<\/p>\n\n\n\n
RE:SOUND, the 8th International Conference for Histories of Media Arts 2019<\/a> at Aalborg University, Denmark. August 20-23, 2019.<\/p>\n\n\n\nAcademic courses<\/h3>\n\n\n\n
Summer 2023, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Summer 2022, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Winter 2021\/22 Sound Studies and Sonic Arts, Berlin University of the Arts, Germany.
Lecture series co-organized with Prof. Dr. habil. Sabine Sanio<\/p>\n\n\n\n
Winter 2021\/22, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Summer 2021, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Fall 2020, The New Centre for Research & Practice
With guest lectures by Leslie Garc\u00eda, Steve Goodman, Eleni Ikoniadou, Toby Heys, Christoph Cox, and Lawrence Abu Hamdan<\/p>\n\n\n\n
Summer 2020, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Spring 2020, Rhythmical Music Conservatory, Copenhagen<\/p>\n\n\n\n
Fall 2019, Musicology, University of Copenhagen<\/p>\n\n\n\n
Winter 2019\/20, Studium Generale, Berlin University of the Arts<\/p>\n\n\n\n
Summer 2019, Sound Studies and Sonic Arts, Berlin University of the Arts<\/p>\n\n\n\n
Winter 2018\/19, Studium Generale, Berlin University of the Arts<\/p>\n\n\n\n
Summer 2018, Cultural Studies, Humboldt University of Berlin<\/p>\n\n\n\n
Fall 2018, Rhythmical Music Conservatory, Copenhagen<\/p>\n\n\n\n
Spring 2018, Rhythmical Music Conservatory, Copenhagen<\/p>\n\n\n\n
Winter 2017\/18, Cultural Studies, Humboldt University of Berlin<\/p>\n\n\n\n
Winter 2017\/18, Studium Generale, Berlin University of the Arts<\/p>\n\n\n\n
Fall 2017, Rhythmical Music Conservatory, Copenhagen<\/p>\n\n\n\n
Summer 2017, Cultural Studies, Humboldt University of Berlin<\/p>\n\n\n\n
Winter 2016\/17, Studium Generale, Berlin University of the Arts<\/p>\n\n\n\n
Winter 2016\/17, Cultural Studies, Humboldt University of Berlin<\/p>\n\n\n\nWorkshops<\/h3>\n\n\n\n
Sonic Amateurs Club, WURM, Basel, Switzerland. June 21 2024<\/p>\n","protected":false},"excerpt":{"rendered":"